There are four words in the title of the latest entry in the “Conjuring” universe, but only one sounds good. It's the word “last.”
“The Conjuring: Last Rites” seems to f...
First of all, is this really what retirement looks like?
If so, perhaps we should all sign up, no matter our age. In “The Thursday Murder Club,” an amiable, cozy, pleasan...
Darren Aronofsky has already made several indelibly New York movies. But lovable as was the subterranean monochrome paranoia of “Pi” and charming as we all consider t...
“The Roses” begins in a marriage therapist's office, where Theo Rose has something interesting to say about his longtime wife, Ivy: “I would rather live with her than...
You can say this: Michael Angelo Covino and Kyle Marvin know how to start a movie.
Their 2020 breakout film, “The Climb,” begins with two best friends on a bike ride jus...
Ron Howard’s “Eden” opens with a bold statement: “Fascism is spreading.”
It'll surely carry weight in modern society, but the phrase is referencing events from nearly a c...
The workaholic assassin Hutch Mansell is in a funk as “Nobody 2” opens. He’s sick of the daily grind, by which we mean he spends hours a day grinding people’s skulls into...
Spike Lee’s “Highest 2 Lowest” takes some time to find its groove. But once it does, when the film leaves the high rises and puts its feet on the New York pavement, i...
An enduring image from the new movie “Weapons” comes early: The sight of elementary school students running out of their homes and onto the suburban grass, moving like fl...
It’s a tale as old as time — or at least, a tale Hollywood loves to tell again and again: Body-swapping. It’s magical. It’s comical. It carries heartwarming messages abou...
