When we last left our new bride, Grace, at the end of 2019’s “Ready or Not,” she was smoking a well-earned cigarette, having survived a night of slaughter. She sat on a s...
It’s been a minute since we’ve had a big screen space epic that’s as fun as it is awe inspiring. The last memorable one might have been “The Martian,” so perhaps it shoul...
The hunky, sweet hero in the new romantic drama “Reminders of Him” at one point turns to the movie’s heroine and tells her: “I’m starting to wonder if you’re the saddest ...
Writer-director Ian Tuason’s feature debut, the sonic-driven horror “Undertone,” has, at least at the outset, an appealingly stripped-down quality.
The 30-something Evy ...
Maggie Gyllenhaal’s “The Bride!” is a big, brash swing at a new “The Bride of Frankenstein” that struggles to cohere its many parts. But I’ll say this for it: It’s al...
“Hoppers” might be built with familiar parts, but Pixar’s latest isn’t trying to hide its various influences. Instead, this buoyant, freewheeling adventure about a spirit...
Early in “Scream 7,” in one of those blasts of the franchise's signature, self-mocking irony, Neve Campbell is taunted for sitting out “Scream VI.”
“It's not the same wi...
If Peter Jackson’s “The Beatles: Get Back” was the supreme document of the Beatles’ final moments together and of their dissolution, Morgan Neville’s “Man on the Run” is ...
“How to Make a Killing,” starring Glen Powell as a working-class man who sets out to murderously reclaim his inheritance, has a clear inspiration: the great Ealing black ...
It’s hardly a surprise that filmmaker Emerald Fennell, who possesses a particular interest in shocking and riling her audience, was drawn to Emily Brontë’s “Wuthering Hei...
