Jason Statham lives in a Scottish lighthouse when we meet him in “Shelter,” and that’s a pretty good analogy for Statham’s usual movie role these days: Tall, cold, alone...
The poster for “Send Help” advertises the film as, “from the director of ‘The Evil Dead’ and ‘Drag Me to Hell’” — notably not “Spider-Man” (or its two sequels). No, the k...
It’s a bold filmmaking choice to have a countdown clock on the screen for most of your movie.
In the best-case scenario for a movie like “Mercy,” in which a Los Angeles d...
Jodie Foster plays a self-assured psychoanalyst whose composure unravels after a patient unexpectedly dies in the genre-bending French film “A Private Life.”
Rebecca...
You know what zombie movies never seem to have enough of? Dancing. They’ve got gore and screaming and lots of guttural snarling, but no boogie. That all changes with “28 ...
Let’s get the obvious thing out of the way first, shall we? There may never have been a better week in the history of the modern world — or at least recent cinema — to re...
It plays a little loose with facts but the righteous rage of “Dog Day Afternoon” is present enough in Gus Van Sant’s “Dead Man’s Wire,” a based-on-a-true-tale hostage thr...
The undercurrents of adolescent cruelty churn queasily in Charlie Polinger’s stylish first feature, “The Plague.”
The title of Polinger’s film might bring to mind Stephe...
Movies that begin with a wedding often don’t bode well for the couple. Starting with the so-called happy ending can only really guarantee a reversal of fortune. In th...
“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starr...
