Writer-director Ian Tuason’s feature debut, the sonic-driven horror “Undertone,” has, at least at the outset, an appealingly stripped-down quality.
The 30-something Evy ...
Maggie Gyllenhaal’s “The Bride!” is a big, brash swing at a new “The Bride of Frankenstein” that struggles to cohere its many parts. But I’ll say this for it: It’s al...
“Hoppers” might be built with familiar parts, but Pixar’s latest isn’t trying to hide its various influences. Instead, this buoyant, freewheeling adventure about a spirit...
Early in “Scream 7,” in one of those blasts of the franchise's signature, self-mocking irony, Neve Campbell is taunted for sitting out “Scream VI.”
“It's not the same wi...
If Peter Jackson’s “The Beatles: Get Back” was the supreme document of the Beatles’ final moments together and of their dissolution, Morgan Neville’s “Man on the Run” is ...
“How to Make a Killing,” starring Glen Powell as a working-class man who sets out to murderously reclaim his inheritance, has a clear inspiration: the great Ealing black ...
It’s hardly a surprise that filmmaker Emerald Fennell, who possesses a particular interest in shocking and riling her audience, was drawn to Emily Brontë’s “Wuthering Hei...
You’d expect an animated basketball movie with four-time NBA champion Stephen Curry in the producer’s chair to be an easy layup. So why is “GOAT” such a brick?
Despite a...
It’s not often we get to pay tribute, in full, to our giants while they’re still with us. But in “Mel Brooks: The 99 Year Old Man!” Judd Apatow dutifully and affectionate...
“I haven’t eaten in centuries,” says the stooped, wrinkled man knocking at a convent door, seeking food and shelter.
LOL! It’s a funny line, given that this is a disguise...
