David Bowie’s Major Tom, sitting in his tin can. Elton John’s Rocket Man, missing Earth and his wife. Matt Damon in “The Martian,” left behind to starve. Matthew McConaug...
“Drive-Away Dolls” is, technically speaking, made up of old parts.
Its script was written two decades ago, when references to Ralph Nader and Chelsea Clinton’s security ...
Three firm thumps into the Arrakis sand is all you need to summon a sandworm in Denis Villeneuve’s “Dune: Part Two.” It’s almost as easy as hailing a cab or calling for t...
OK, so maybe we’re not tracking her jet travel online like amateur spies, or worrying on a diplomatic level whether she’ll make it to a football game.
But current Swift-...
There is a lot of pretty niche comic book mythology swirling around “Madame Web,” the inspiration for the newest of Sony’s “Spider-Man” spinoffs.
This is a character wh...
It seems like these days, teenage girls only want one thing, and that’s a long-dead Victorian boyfriend roused from his grave by an ardent wish and a strike of lightning....
Bob Marley was born in 1945, the son of an 18-year-old mother and a much older white man who had nothing to do with his son. As a boy raised in poverty, he often slept on...
A checkered mesh of mysteries have accompanied the release of Matthew Vaughn’s “Argylle.” There is the promoted one: Who is the “real” Agent Argylle? Then there’s all the...
For a film about death, Lila Avilés’ “Tótem” is extraordinarily lived in.
Avilés’ camera roams through the festive, cluttered gathering of an extended family as they pre...
Jenna Ortega's stark rise as Gen Z's goth-glam princess takes a pointless, awkward turn in “Miller’s Girl,” a new romantic horror movie about cerebral people that's simpl...
