Let’s get one thing out of the way first: I did not entirely understand everything that happens in “Cuckoo,” a new indie horror in theaters Friday.
This could be more of...
“Harold and the Purple Crayon,” the famed 1955 children’s picture book, is getting the three-dimensional treatment nearly 70 years after its release.
The picture book , ...
In our spoiler phobic culture, movie trailers don’t often offer a lot of information. It’s even dangerous territory for a critic to discuss too many specifics, sometimes ...
Coming of age films are nothing new. We’ve seen the awkwardness, the raucous, lewd humor and the emotional complexity that accompanies teen years on screen before, but fi...
If one thing is certain about “Deadpool,” it’s that its titular hero, for reasons never explained, understands his place in the world — well, in our world.
Indeed, the ir...
We have a complex relationship with disaster movies. Just look at the discussion about a “Twisters” poster, which became a perfect encapsulation of our love-hate tendenci...
The force is not strong in “Skywalkers: A Love Story,” a shallow “Man on Wire” for social media influencers about a pair of Russian daredevils who stealthily scale urban ...
A chilling, half-remembered encounter from childhood looms over “Longlegs,” Osgood Perkins’ stylishly composed 1990s-set horror film about a young FBI agent (Maika Monroe...
“Fly Me to the Moon” is better than it looks.
This is not a slam against the marketing campaign for the space race rom-com about a straight-laced NASA man and the Madiso...
If anything, “MaXXXine” is a love letter to the Los Angeles movie.
The third film in this unlikely trilogy (following “X” and “Pearl”) finds Mia Goth’s Maxine Minx in Ho...