It’s hard to top the story of how a wounded dolphin is saved by a prosthetic tail and a team of heroes.
“Dolphin Tale 2” tries to recapture the spirit of the original ba...
There are many differences between America’s troubled exit from Iraq and its ramshackle retreat from Vietnam. But the U.S. flight from Saigon as seen in Rory Kennedy’s d...
Tana French is irrefutably one of the best crime fiction writers out there. Her latest, “The Secret Place,” is a mesmerizing story set in a girls’ boarding school in Dub...
In “The Longest Week,” Jason Bateman plays a privileged, pampered, narcissistic New Yorker whose sole effort at productivity in life is his meandering work on a novel ca...
It’s been a dozen years since Pierce Brosnan played Bond, James Bond, in “Die Another Day.”
In “The November Man,” he comfortably slips back into the world of internatio...
Some may pine for George Clooney’s chin or Scarlett Johansson’s lips, but no body part should be more envied than Elmore Leonard’s ear.
Leonard’s dialogue seemed to hav...
The simple description for “If I Stay” is that it looks at a life and death decision.
But taking such a simplistic approach would be unfair.
Director R.J. Cutler’s film ...
Frank Miller and Robert Rodriguez’s “Sin City: A Dame to Kill For” is like Paris after the zombie apocalypse. Beautiful to look at but not a living soul in sight.
The se...
In its third incarnation, “The Expendables” has become, well, expendable.
Despite some ruthless new tactics, there’s no saving “The Expendables 3,” the overpopulated thi...
“The Giver,” director Phillip Noyce’s handsomely wrought take on Lois Lowry’s bestseller, may suffer for sins not of its own making.
It’s the latest in the long line of ...
