Sometimes a title just doesn’t help a movie.
Not that directors Anthony and Joe Russo had much choice in titling “The Gray Man,” their new Netflix spy thriller starring R...
Rarely have the conditions for love been less hospitable than in Sara Dosa’s documentary “Fire of Love." Yet here, amid shifting tectonics and quaking craters, French vol...
The last full Thor movie was the overstuffed 2017 “Thor: Ragnarok,” with the God of Thunder dealing with dueling brother and sister issues, the imminent destruction of hi...
Leonard Cohen was deep in his career when he finally finished “Hallelujah.” Well, the first version of “Hallelujah” — there would be many, many versions when all was said...
For a not small segment of the audience for “Minions: Rise of Gru,” only one thing really needs to be said. The Minions are in it. That's enough.
Now five films and 12 y...
George Saunders’ short story “Escape from Spiderhead” is not, you might say, an obviously cinematic piece. It’s the kind of subtly unsettling work — stark, moody and dial...
“In 1995, Andy got a toy from his favorite movie. This is that movie.”
So begins “Lightyear,” a new Pixar release that takes a meta approach to the animation studio's fla...
By now, you’d think you know what you’re getting with an Adam Sandler sports movie. “Happy Gilmore” and “The Waterboy” have conditioned us to expect silly voices and left...
The enduring, collective love for “Jurassic Park” is immensely hard to explain. Steven Spielberg’s 1993 film implanted itself into our cultural consciousness as a kind of...
