Shirley Temple, 8, in 1936

SAN FRANCISCO — Shirley Temple, the dimpled, curly-haired child star who sang, danced, sobbed and grinned her way into the hearts of Depression-era moviegoers, has died, according to publicist Cheryl Kagan. She was 85.

Temple, known in private life as Shirley Temple Black, died Monday night at about 11 p.m. at her home near San Francisco. She was surrounded by family members and caregivers, Kagan said.

“We salute her for a life of remarkable achievements as an actor, as a diplomat, and most importantly as our beloved mother, grandmother, great-grandmother, and adored wife for 55 years of the late and much missed Charles Alden Black,” a family statement said.

A talented and ultra-adorable entertainer, Shirley Temple was America’s top box-office draw from 1935 to 1938, a record no other child star has come near. She beat out such grown-ups as Clark Gable, Bing Crosby, Robert Taylor, Gary Cooper and Joan Crawford.

In 1999, the American Film Institute ranking of the top 50 screen legends ranked Temple at No. 18 among the 25 actresses. She appeared in scores of movies and kept children singing “On the Good Ship Lollipop” for generations.

The child star was credited with helping save 20th Century Fox from bankruptcy with films such as “Curly Top” and “The Littlest Rebel.” She even had a drink named after her, an appropriately sweet and innocent cocktail of ginger ale and grenadine, topped with a maraschino cherry.

Temple blossomed into a pretty young woman, but audiences lost interest, and she retired from films at 21. She raised a family and later became active in politics and held several diplomatic posts in Republican administrations, including ambassador to Czechoslovakia during the historic collapse of communism in 1989.

“I have one piece of advice for those of you who want to receive the lifetime achievement award: start early,” she quipped in 2006 as she was honored by the Screen Actors Guild.

But she also said that evening that her greatest roles were as wife, mother and grandmother. “There’s nothing like real love. Nothing.” Her husband of more than 50 years, Charles Black, had died just a few months earlier.

Temple’s singing and tap dancing in the 1934 feature “Stand Up and Cheer!” first gained her wide notice. The number she performed with future Oscar winner James Dunn, “Baby Take a Bow,” became the title of one of her first starring features later that year.

Also in 1934, she starred in “Little Miss Marker,” a comedy-drama based on a story by Damon Runyon that showcased her acting talent. In “Bright Eyes,” Temple introduced “On the Good Ship Lollipop” and did battle with a charmingly bratty Jane Withers, launching Withers as a major child star, too.

She was “just absolutely marvelous, greatest in the world,” director Allan Dwan told filmmaker-author Peter Bogdanovich in his book “Who the Devil Made It: Conversations with Legendary Film Directors.” “With Shirley, you’d just tell her once and she’d remember the rest of her life,” said Dwan, who directed “Heidi” and “Rebecca of Sunnybrook Farm.” “Whatever it was she was supposed to do — she’d do it. ... And if one of the actors got stuck, she’d tell him what his line was — she knew it better than he did.”

Temple’s mother, Gertrude, worked to keep her daughter from being spoiled by fame and was a constant presence during filming. Her daughter said years later that her mother had been furious when a director once sent her off on an errand and then got the child to cry for a scene by frightening her. “She never again left me alone on a set,” she said.

Temple became a nationwide sensation. Mothers dressed their little girls like her, and a line of dolls was launched that are now highly sought-after collectibles.

She followed up with a string of hit films, most with sentimental themes and musical subplots. She often played an orphan, as in “Curly Top,” where she introduced the hit “Animal Crackers in My Soup,” and “Stowaway,” in which she was befriended by Robert Young, later of “Father Knows Best” fame.

She teamed with the great black dancer Bill “Bojangles” Robinson in two 1935 films with Civil War themes, “The Little Colonel” and “The Littlest Rebel.” Their tap dance up the steps in “The Little Colonel” (at a time when interracial teamings were unheard-of in Hollywood) became a landmark in the history of film dance.

She won a special Academy Award in early 1935 for her “outstanding contribution to screen entertainment” in the previous year.

“She is a legacy of a different time in motion pictures. She caught the imagination of the entire country in a way that no one had before,” actor Martin Landau said when the two were honored at the Academy Awards in 1998.

Her fans agreed and seemed interested in every last golden curl on her head: It was once guessed that she had more than 50. Her mother was said to have done her hair in pin curls for each movie, with every hairstyle having exactly 56 curls.

“She’s indelible in the history of America because she appeared at a time of great social need, and people took her to their hearts,” the late Roddy McDowall, a fellow child star and friend, once said.

Temple’s fans agreed. Her fans seemed interested in every last golden curl on her head: It was once guessed that she had more than 50. Her mother was said to have done her hair in pin curls for each movie, with every hairstyle having exactly 56 curls.