Kevin Hart's 'The Upside' enjoys $19.6 million debut
NEW YORK — Kevin Hart isn’t hosting the Oscars, but he’s got a number one movie. “The Upside,” starring Hart and Bryan Cranston, surpassed expectations to open with $19.6 million in ticket sales, according to studio estimates Sunday.
The strong performance of “The Upside” pushed “Aquaman” to second after the aquatic superhero’s three-week reign atop the North American box office. Warner Bros.’ “Aquaman” still passed $1 billion worldwide over the weekend, becoming the first DC Comics release to reach that mark since 2012’s “The Dark Knight Rises.”
“The Upside” opened on the heels of several weeks of Oscar drama surrounding Hart. The comedian last month withdrew from hosting the Academy Awards, just days after being named emcee, when he initially refused to apologize for years-old homophobic tweets.
On the publicity trail for “The Upside,” Hart repeatedly dismissed the Oscar controversy, saying he was “over it,” while flirting with the possibility of returning as Oscar host.
Whether all that attention helped raise the profile of “The Upside,” a remake of the 2012 French comedy “The Intouchables,” was difficult to extrapolate, though it surely didn’t hurt. Ticket sales were almost twice industry forecasts. The film received poor reviews (40 percent fresh on Rotten Tomatoes) and was slammed by some critics for trading on the kind of gay panic humor that Hart was forced to apologize for.
Neil Burger’s film, which cost about $35 million to make, stars Hart as an ex-con who becomes a caretaker for a physically disabled author (Cranston). It was originally to be distributed by the Weinstein Co. Harvey Weinstein premiered the film at the 2017 Toronto International Film Festival just weeks before the many allegations of sexual harassment surfaced against the movie mogul.
STX Entertainment picked up the movie, which on Sunday handed the five-year-old startup studio its first no. 1 release.
Launched in 2014 with a mission to make the kind of mid-budgeted, star-driven films the studios have increasingly abandoned, STX has had some successes (“Bad Moms,” “The Foreigner,” the critically acclaimed “The Edge of Seventeen”) but has often struggled to find breakout hits. Last year’s “The Happytime Murders,” was one of the 2017’s most glaring flops.
Paul Dergarabedian, senior media analyst for Comscore, credited STX with accurately reading the marketplace. The studio worked with the filmmakers to recut “The Upside” from an R-rated version to make a more broadly appealing PG-13 one.
Early January is often a dumping ground in movie theaters and the weekend featured a number of duds. Keanu Reeves’ sci-fi thriller “Replicas” debuted with just $2.5 million for Entertainment Studios — a career low for Reeves. Opening more solidly, in third place, was Sony’s “A Dog’s Way Home” with $11.3 million.
The two biggest winners at last Sunday’s Golden Globe Awards — “Bohemian Rhapsody” and “Green Book” — both saw a bump. Fox’s Freddie Mercury biopic, which increased its theater count with hundreds of sing-along screenings, was up 35 percent with $3.2 million. The best comedy/musical winner “Green Book” went up 16 percent with $2 million in its ninth week of release.
Estimated sales for Friday through Sunday at U.S. and Canadian theaters:
1. “The Upside,” $19.6 million
2. “Aquaman,” $17.3 million
3. “A Dog’s Way Home,” $11.3 million
4. “Spider-Man: Into the Spider-Verse,” $9 million
5. “Escape Room,” $8.9 million
6. “Mary Poppins Returns,” $7.2 million
7. “Bumblebee,” $6.8 million
8. “On the Basis of Sex,” $6.2 million
9. “The Mule,” $5.5 million
10. “Vice,” $3.3 million.
