The Butler Little Theatre’s Youth Production of “Bridge to Terabithia” which opened last night earned an enthusiastic response from the audience.

Under the direction of Shannon Donovan, the show had a lot going for it. Imaginative sets, some nicely talented actors and Donovan’s vision.

Christian Cendrowski was a strong lead in the role of Jesse. He was believable as the quirky boy who seemingly didn’t fit in.

The show did not use microphones, but both his dialogue and vocals projected well. His chemistry with his little sister, played by the adorable Naomi Eberle, was delightful.

Eberle shined as the perky pesky little sister. Her mannerisms were cute, and her pestering seemingly quite sincere.

I have a feeling the acting was not a stretch for the precocious 8-year-old. She too had nice chemistry with her co-stars, including Malia Kennedy who played the lead Leslie Burke.

Kennedy, who seemed comfortable on stage, did a commendable job at playing the dreamer. Her vocals were a tad soft but sweet.

Kennedy and Cendrowski seemed to tackle the large roles with vitality and enthusiasm. Both have been on stage before and their experience was apparent.

Jesse’s parents were played by Phoenix Kelly and John Carlson. Though smaller roles, there were large moments in them that they handled capably.

Their daughter Brenda was played by Madison Kish, who also had a few dramatic lines to shine.

Madeline Fleeger rocked the mean girl role and cornered the market on snotty bully. Her counterpart, Braeden Rawa, who played the male meanie, did not disappoint.

Carrie Peters portrayed the teacher Miss Edmonds quite well, and her lovely voice was a pleasant surprise.

The other actors did a fine job in their supporting roles and as Terabethians. The show was indeed well cast.

The production opened with a silhouetted piano player, Chase Uram, who tickled the ivories quite well throughout the show and helped to break up the lengthy set changes. The sets were extremely complex and included authentic sounding rain which set the tone for the spring scenes.

Uram wore many hats throughout the production, literally, including guitarist with a tad bit of miming in the Christmas scene. It was a delightful way to present the score for the musical and keep the audience entertained when the momentum stopped.

Donovan did an admirable job heading up the talent and making this show come alive. Her creative energy was evident throughout.